ceciliatan: (darons guitar)
( Mar. 19th, 2015 10:00 am)

Mirrored from the latest entry in Daron's Guitar Chronicles.

The first show of the tour would be in Atlanta, at an arena officially named the Omni but referred to by the crew as the Waffle Iron because of the shape of the roof, which looked like a—you guessed it—waffle iron. We had several days off in LA before the actual show because the crew and rig had to travel across the entire country to get there.

I kind of wondered about this. Nomad was a band from the West Coast, and here they were starting a tour in the East. Moondog Three had been a band from the East Coast, and we had started our tour in the West. Was that bad planning? Or was it good because it meant you ended up closer to home in the end? I wasn’t sure. It probably had more to do with when the venues were available. Carynne once told me that to set up any given six weeks on the road she probably made about five hundred phone calls. That was about four-hundred-ninety-nine more than I would have been willing to make before I freaked out and bailed.

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Mirrored from the latest entry in Daron's Guitar Chronicles.

I’m glad that Jordan turned out to be an incredibly cool dude, and that he didn’t turn the album into top 40 crap, and that he and I spent a lot of late nights talking about music and history and stuff. That wasn’t the only eventful thing in the spring besides my birthday of course. We also got flown to Arizona to film the “Why The Sky” video and got good and sunburned in the process. And all that time, Carynne was working on putting us on a warmup tour on a shoestring budget. Digger had negotiated a nice deal with BNC, but we’d agreed to handle a lot of the financial responsibility ourselves. BNC and WTA were working on an extensive tour for later in the year, but I just couldn’t wait that long.

Oh yeah, and Christian and I bought the Allston house with some of the advance BNC’d paid us.

And Ziggy and I ignored each other.

I could not wait to get back on the road.

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ceciliatan: (darons guitar)
( May. 17th, 2010 11:00 am)

Mirrored from the latest entry in Daron's Guitar Chronicles.

By the time all the video bullshit was over with and the roadies began hauling our setup onto the stage it was six. It became clear at that point that this stage was smaller than what they’d anticipated as they looked at our gear piled in the middle of it and MNB’s gear set up around the edges. “What’s the problem, guys?” I said from the bottom of the stage where I was shifting from foot to foot as if it might help them hurry.

The stage manager, who I had learned to identify by his baseball cap with some band’s logo on it, crouched down by me. (I knew neither the name of the band, nor his.) “The original spec called for Hurricane Flats, and well, they got a real minimal set up. We’re going to have to take the keyboard rig off the lower riser to make room for your drum kit.”

I held up my hands. “So do it.”

“I want to clear it with John first.”

John, who was on his way back to the hotel with our junk right now. Ten million and one details. “Look, we want to get some practice time in. I’m sure he’ll say yes. I mean, what else can you do?”

The guy shrugged. “I’m going to page him anyway.”

Fine. The doors were set to open at 7:30. I had too many knots in my stomach to eat. Whatever happens, I thought, good or bad, it’ll all be over by 9pm.

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